Quote:
Originally Posted by Dave Boulden
A similar trick I've used for "quick and dirty" doubling vocals after the vocalist has gone home is to duplicate the track and then run the second track through Melodyne (or something similar) to quantize the timing and correct any minor pitching mistakes... it can quite convincingly give the effect of a real second vocal take once balanced to the original track (also good if you're using it on your own vocals when you're as "adequate" a singer as I am  ). |
Yaay forgot that bit.
Effecting one side of the vocal only gives a great feel because the natural un-effected track pushes and pulls agains the frequencies of the 'effected' track.
The possibilites of different combinations of technique are endless.